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Artwork Critique Forms

March 27th, 2010

artwork critique forms

Selected Jeppe Hein Exhibitions and Paintings at Saatchi-gallery

Jeppe Hein’s works address us individually; though, importantly, we might not have asked them to. Hein delights in apparently serendipitous events, suspending common sense laws of cause and effect and conjuring up scenarios in which, in direct response to our presence, seemingly sentient behaviour is coaxed from inanimate things.

selected GROUP EXHIBITIONS

2005

Museum of Contemporary Art, Los Angeles

MCA, Chicago

2004

Wohnseifer / Hein, Union Projects, London

Moving Parts, Kunsthalle Graz / Museum Jean Tinguely Basel

Performative Installation, Siemens 2004, Galerie für zeitgenössische Kunst, Leipzig

A Secret History of Clay: From Gauguin to Gormley, Tate Liverpool

Gegen den Strich, Kunsthalle Baden-Baden

Quicksand, De Appel, Amsterdam

What did you expect?, Galerie Jan Mot, Brussels

2003

Hein, Schellberg, Wohnseifer, Schnittraum, Köln

The straight or crooked way, Royal Collage of Art, London

Biennial of Ceramic in Contemporary Art, Albisola

Auf eigene Gefahr, Schirn Kunsthalle, Frankfurt

Performative Installation, Galerie für Zeitgenössische Kunst, Leipzig

2002

Ingrepp, Uppsala Kunstmuseum, Uppsala

I promise it`s political, Museum Ludwig, Köln

Fuzzy, Galleria Minini, Brescia

Inside / Outside, Galerie für zeitgenössische Kunst, Leipzig

Hell, neugerriemschneider, Berlin

No Return. Positions from the Collection Haubrok, Museum Abteiberg, Mönchengladbach

2001

Changes possible, Kiel

Biennale di Venezia

Arbeit, Essen, Angst, Kokerei Zollverein, Essen

Frankfurter Positionen 2001, Frankfurt

Strategies against Architecture II, Pisa

Neue Welt, Frankfurter Kunstverein

Take off, Arhus Kunstmuseum

In some of his pieces he articulates a dialogue between the work itself, the person encountering it and the gallery space in which it is sited – though this is a conversation for which one is wholly unprepared. Works of this kind imply a wry relationship both to the Minimalist sculpture of the 1960s and to those forms of institutional critique that sought to question the authority of the museum or gallery space. Yet Hein’s practice does not really fit either tradition – the mode of address and playful tone is at odds with, for example, phenomenological interpretations of Minimalist sculpture, in which the viewer participated in the work but as a relatively abstract presence.

The other wall shows what I chose to create in the end. With this exhibition I’ve been thinking about the gallery’s situation, and how it presents and represents art. How artists can go into an exhibition space and use it to stage their art. My job has been to find out how I, with the room as frame, can make my work function best, while maintaining a relationship with the room itself.

what to Do Next…

Read more Articles about Jeppe Hein http://www.saatchi-gallery.co.uk/artists/jeppe_hein.htm

About the Author

View Jeppe Hein paintings, biography, solo exhibitions, group exhibitions and resource of Jeppe Hein artist. View art online at The Saatchi Gallery – London contemporary art gallery. Jeppe Hein

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